Patricia Mercader
Maître
de Conférences en Psychologie sociale
Institut de Psychologie
Université Lumière-Lyon 2
Avenue Pierre Mendès-France
Case 11
F-69676 BRON CEDEX
patricia.mercader@univ-lyon2.fr
33 (0)4 78 37 53 53
Conformism and gender
attribution :
analysis of some transsexual autobiographies
In this paper I will show that transsexuals who choose to write and
publish their autobiography have to face a striking difficulty: they seek to
convince their lectors that they
“really” or “truly” belong to a specific gender, while they disclose the
usually incompatible fact that they were born belonging to the other gender,
and that their genitals are not what they should. The arguments they use to
deal with this incompatibility include conformist views about gender roles,
acceptance of a “natural” hierarchy
between men and women, homophobia, references to a biologically determined
gender identity, etc. The discursive and narrative structure of the
autobiographies makes a wide use of what we might call a “tautology strategy”:
presenting as obvious what is actually a paradox; in freudian words, this
belongs to the primary, unconscious, processes.
I have worked on fourteen autobiographies with a transsexual theme. My
analysis was qualitative, and my perspective psychosocial.
I will start from some ideas that have been powerfully demonstrated
quite a while ago by ethnomethodologists like Harold Garfinkel (1967), or Susan
Kessler and Wendy McKenna (1978).
First, they argue
that gender attribution forms the foundation for understanding other components
of gender (2). In other words, there will never be sufficient information for a
definite gender attribution to be made ; however, once a gender
attribution has been made, the meaning of gender-related information for any
particular individual can be made (13). For instance, we all believe that we
fall in love with male or female individuals because they are male or female
(and have some extra qualities, of course…), but the real process is that
usually we fall in love of someone we assume is male or female, and it is only
later that we check it out !
In every
interaction, every one creates a sense of themselves as being a gender or
another, i.e. everyone must insure that some gender attribution, and preferably
the “ correct ” one, is made of them (126). Ethnomethodologists argue
that the ability to do this comfortably and successfully constitute gender
membership (116). The fact that we usually are very confident that others will
make the right gender attribution about ourselves is an important part of this
comfort.
What members of our society consider as objective and real facts about
gender (let us call it our “ natural attitude ” towards gender)
includes some rules among which I will quote three : 1) there are two, and
only two, genders ; 2) one’s gender is invariant ; and 3) genitals
are the essential sign of gender (113). And in order to maintain a stable gender
attribution of another person, it is necessary to see the natural attitude
displayed (124).
Once a gender
attribution is made, virtually anything can be used to support it, and the
particulars will be filtered through that attribution and used to confirm
it ; for instance, when some husky-voiced person introduces themselves on
the phone saying “ Mrs Doe speaking ”, you are very likely to accept
her as a deep voiced female. What is important is the initial presentation. But
also, once the gender attribution is discredited, virtually anything can be
used to support the discreditation (137) : for instance, when you think
about someone you used to consider as a big or butch woman something like
“ I always knew he was not really a woman because his hands are
large ”.
Transsexuals write their autobiographies as testimonies, in order to
convince the public to accept their claim of belonging “ truly ” to
the “ other ” gender. But considering all this, it clearly appears
that in order to “ pass ”, a transsexual should concentrate in having
a firm first gender attribution made, avoid any transgression of the rules
about gender (specially, hide the sex change and the incorrect genitals), and
trust others to filter all particulars according to their first impression.
Therefore, their writing in itself makes it very difficult, or even impossible,
for others to share in the maintainance of their gender by confronting others
with a blatant violation of the natural attitude. They have to use different
strategies to fight this difficulty, this paradox.
The most ovious aspect of this strategy is, in my opinion that they
replace their impossible respect of the rules 2) one’s gender is invariant, and
3) genitals are the essential sign of gender by their very conformists views
about gender.
They are very conscious of the existence of power relations and
hierarchy between men and women. The female-to-male Mario Martino is as much
delighted to give up any house work than she is to flirt with women or be
allowed dirt talk with men. The male-to-female Jan Morris realises that men
treat him more and more as an impotent child, and that he adapts to it :
the more he is considered unable to drive backwards or open a champagne bottle,
the more he feels unable to do it. But this inequality does not revolt them.
Another male-to-female, Sylviane Dullak, writes about his childhood :
“ I used to submit easily and to feel unable to fight. This tendancy to
unquestioning obedience is originally a feminine character, while the male is
rather defined by his combative personnality ” (20). Most people maintain
such stereotypical belief and in the meantime experience meeting submissive men
and agressive women without modifying their gender attributions about them, but
the transsexual writers use the stereotype as an evidence in the process of
gender attribution. It is also a way for them to appear as normal, and even
hyper-normal, in some matter at least.
They also show an extreme or even militant homophobia, and the word
phobia here must be understood in its medical and psychological meaning :
confronted directly with homosexuality (an insult, a sexual proposition, a
kiss...), the male-to-female Christine Jorgensen or the female-to-male Daniel
van Oosterwyck run away, actually throw up, or even attempt suicide. The mere
aspiration to as much normality as possible cannot fully explain such
reactions. I would think that, like pre-freudian psychiatrists in the late
nineteenth century, and like most moralists before and after this, transsexuals
assume that homosexuals are not “ real ” men or women, that
heterosexuality is part of the gender membership.
Although it is a
parenthesis in my demonstration, I think it is interesting to give some details
here, in a more clinical perspective. Mostly, male-to-female argue that male
sexuality, and specially in its homosexual sqared form, is violent, dirty, and
bestial, inhuman ; female sexuality is seen as soft, tender, loving,
human… but not very sexual indeed. On the other hand, female-to-male consider
that if the relationship is a lesbian one, or rather if there is no man in the
relationship, then sexuality is vicious and dirty ; Mario Martino tells
her future wife : “ we are not lesbians. We love each other like only
a man and a woman can love each other ” (132). We might say that
male-to-female idealize femininity (their mother’s femininity), while
female-to-male idealize heterosexuality (their parents’ relationship) ;
but the underlying and most significant feeling beneath idealization is their
violent hatred towards their own body : it is not without some euphoria
that Sylviane Dullak cuts his own testicles, and Daniel van Oosterwyck writes
about the moments when she is making love to a woman “ At those times,
more than ever, I used to wish to disappear physically, to anihilate this body
so alien to myself, to mutilate it ” (144). So, one can see that there is
some congruence between the social angle (the body is presented as
non-significant for gender attribution) and the clinical one (the body
presented as alien to the self).
Man and woman, in the transsexual perspective, are so rigid and compact
categories that they could be destroyed by any kind of deviance. The emphasis
on the differences between them, and on the natural qualities of these
differences, leads to the underlying assumption that man and woman belong to
sort of different species. More important, it implies that no individual can be
both masculine and feminine, part man- (or father-)identified and part woman-
(or mother-)identified. This duality, called psychic bisexuality in
psychoanalysis, is inherent to achieved development of the self, but
necessarily creates occasions for many internal conflicts, thus avoided in the
transsexual perspective.
Another advantage of the conformist attitude is that it provides some
reference to external causes or responsabilities in attributing to the
transsexual the gender they demand. The natural attitude implies that we do not
choose our gender : it is assigned to us, on the basis of our genitals.
The transsexual conformism replaces this by : on the basis of our
“ normal ” behavior.
I would like to go a little further and present a particular narrative
strategy, one I never found in any other kind of writing, and that I called,
temporarily, “ tautology strategy ”. I mean that transsexual
autobiographies tend to present situations in which the natural attitude
unmistakably should lead the reader to make a certain gender attribution, and
the author firmly asserts that in fact it leads to the contrary gender
attribution, without any logical argument, but the assumption and repetition
that “ it is obvious ”.
To illustrate my point, I will use The gender trap, by Chris
Johnson and Cathy Brown (with Wendy Nelson). The themes are similar to those I
just developed, and the rethoric is very visible. It is a very special book,
about a transsexual couple : Chris and Cathy were once Anne and
Eugene ; they met, fell in love at first sight, and decided to have a
child before pursuing the sex changes they both desired.
Here is what they recall of their first and decisive meeting. First
Anne :
“ The moment I saw him I was absolutely fascinated. I was
attracted, very attracted indeed. But I’d only ever felt interested in two or
three men in my entire life up to that point, including [my former husband].
And more recently it’d been women that I’d found attractive. How could I be
drawn to both ? It was all racing through my mind. But then, looking at
Eugene, watching him, I suddenly had this weird insight. There was a man — or
was it a man ? Somehow the person I was looking at so intently seemed more
than a woman. He attracted me as a woman might, not like a man at all. ”
(98)
And now Eugene :
“ I immediately fancied her, which was strange in itself. I
thought from the way she looked that maybe she was the liberated type, maybe a
lesbian. But then I was struck by one thought — it’s not a she ! It’s a
guy ! I know it’s a guy ! Somehow I felt certain she was a man, it
was a dominating presence and I was sure I was right. I just knew, don’t ask me
how, that she was different from all the others ant it threw me
completely. ” (99)
You see what happens : an unexpected feeling occurs, that
threatens to open a breach in the way they see themselves, and they immediately
force a new coherence with a fantasy that is interpreted as a magic
understanding of some hidden reality. And the reader is supposed to do the
same : no arguments, no reasoning, only this affirmation, surrounded in
all the book by allusions, as if nothing was more normal or common, to
telepathic or visionnary powers… Nothing surprising in this world !
The first chapter of the book is even more remarquable : it
relates their daughter’s birth, managing to imply that Anne, on the delivery
bed, is really a man, and Eugene a woman. Let’s note that Eugene’s telepathic
power is mentioned, without any specific comment, at the twelwth line of the
text.
We learn that Eugene was the one who wanted the child most : he
had “ found himself experiencing strong and impulsive urges which he could
not explain. He began to suffer periodic and unashamed broodiness, an insistent
need to have a child which could not be denied. Many women of childbearing age
would identify with his mood : a maternal instinct that no man could ever
fully understand ” (14). As for
Anne, her pregnancy “ was to be the most unnatural period of her life. […]
“Most pregnant mothers look awkward and uncomfortable, but I looked terrible,
completely out of shape and entirely unnatural.” ” Then, in the hospital
“ she was suffering a hundredfold the indignity of giving birth. For it
was tantamount to asking any man to experience childbirth, a notion he would
undoubtedly find quite alien. Anne was no exception ” (16).
These lines give a beautiful example of how the reference to nature is
manipulated in these texts. Wanting a child can only be the expression of a
physical need (periodic broodiness, maternal instinct), which is reserved to
women (stereotype treated as unquestionnable reality), therefore Eugene is a
woman. Pregnant Anne looks worse (in her own view) than other pregnant women,
so her pregnancy is unnatural ; she experiences childbirth as an alien
indignity, which is a feeling reserved to men (another stereotype, pushed to an
extreme point), therefore she is a man, and an ordinary one, as the wonderfull
“ Anne was no exception ” points out. One would like to add Quod erad
demonstrandum, but the main characteristic of this rethoric is that it does not
use demonstration, but false obviousness and mere belief instead.
In clinical words, we might say that we are in the world of primary
process, where the principle of no-contradiction is ignored, the pleasure
principle prefered to the reality principle, and the words taken at face value,
as if they were things[1]. The author does
not appeal to the reader’s reasoning, and even aims at interrupting this
reasoning. This strategy aims at imposing to the reader, as an unquestionable
reality, what is actually the intimate truth of the author. This confusion
between truth and reality is very important : there is a huge difference
between sharing someone’s internal truth (“ I understand that you feel a man
trapped in a woman’s body ”) and accepting it as a factual reality
(“ If you say that you feel a man trapped in a woman’s body, then I accept
that you are one ”). Most autobiographies deal with sharing truth, but
transsexual ones deal with transforming others’ view of reality by sheer force.
The stereotypes about gender appear in these texts in all their
defensive fonction : avoidance of psychic conflict, and of recognition of
individual differences, reduced to compact and compelling categorisations.
[1] Characters of the primary process : quest of perceptual identity, thing presentation, pleasure principle, free energy, no-contradiction principle absent. Characters of secondary process : quest of thought identity, word presentation,principle of reality, bound energy, no-contradiction principle present